Giant Art
100 Cans Art Print Andy Warhol
This framed art print reproduces Andy Warhol's 1962 work '100 Cans,' featuring a grid of Campbell's soup can images, and is intended for wall decoration in home or office settings. It is a ready-to-hang piece constructed from high-quality canvas on an MDF frame and made in Canada. The dimensions are 24 x 30 inches (61 x 76 cm).
- Material
- High-quality canvas on MDF frame
- Style
- modern, contemporary
- Category
- Arts & Entertainment > Hobbies & Creative Arts
Specifications
Framed canvas art print of Andy Warhol's iconic 100 Cans, ready to hang.
Framed, ready-to-hang work of art. High-quality canvas on MDF frame. Easy hanging. Made in Canada. Dimensions: 24" x 30" (61 x 76 cm).
- Material
- High-quality canvas on MDF frame
- Secondary
- wood-composite
- Style
- modern, contemporary
- Occasion
- gift
- Gender
- unisex
- Condition
- new
- Category
- Arts & Entertainment > Hobbies & Creative Arts
Additional Attributes
- framed
- ready-to-hang
- high-quality canvas
- MDF frame
- easy hanging
- made in Canada
- 24 x 30 inches
- Andy Warhol
- pop art
Product Insights
A pigment giclée print of Warhol's iconic 100 Cans—24x30 inches on canvas, assembled in Canada—delivers grain-free clarity and 75-year fade resistance at $398 CAD, roughly a third of vintage lithos, but its open-edition decorative status lacks a certificate of authenticity, and water behind glass can permanently alter the print, embodying the commodification Warhol critiqued.
Verified claims
- Image content
- Print reproduces Andy Warhol's 1962 '100 Cans'—a 10 x 10 grid repeating the Campbell's Condensed Beef Noodle Soup label—not the 32 different flavor designs of Warhol's separate Campbell's Soup Cans series.
- Print quality
- Pigment giclée on canvas uses archival pigment inks rated to resist fading for 75+ years indoors, with the fade rating dependent on filtered indoor light rather than direct sunlight.
- Value
- Framed canvas at $398 CAD—about a third of vintage Warhol lithos.
- Historical significance
- Warhol's 1962 hand-painted original captures his pivot from handcraft to silkscreen.
- Print fidelity
- Giclée print preserves Warhol's flat colors and resists fading for 75 years indoors under filtered light.
- Market tier
- Decorative-tier open-edition giclée without certificate of authenticity.
- Physical attributes
- 24 x 30 inch canvas on an MDF frame, made in Canada, gives the grid medium-large wall presence and arrives ready to hang.
- Giclée quality
- Pigment giclée printing produces a smooth, uniformly printed surface rather than the visible ink texture of a hand-pulled screenprint.
- Fade resistance
- Pigment inks resist fading for 75 years or more indoors.
- Canadian assembly
- Assembled in Canada.
- Moisture sensitivity
- Buyers report that water behind glass can permanently alter the print.
- Market positioning
- Open-edition decorative reproduction, not a limited-edition screenprint or investment piece.
- Cultural debate
- Warhol's 100 Cans—a critique of mass production—lives on in this affordable print, fueling the art vs commodity debate.
- Grid repetition concept
- The repeated-can grid critiques mass production; the open-edition print continues that commodification.
- Build quality
- Domestic assembly avoids warped MDF frames and brittle hardware on imports.
- Mounting
- Ships assembled and ready to hang on an MDF frame with a pre-installed hanging wire and supplied hanging kit; no D-rings or sawtooth hanger.
- Replaceability
- Open-edition print without COA; a damaged copy can be reordered rather than treated as a limited collectible.
- Colorway
- The 'Red' variant reproduces the red-and-white Campbell's Soup can label on a white background.
- Edge treatment
- The canvas is presented flat behind a black frame with a white mat; the grid does not wrap around the frame edges.
- Styling placement
- For a living-room anchor, the print works best as the room's focal point with neutral walls and at least a metre of clear wall on either side.
- Room palette fit
- The red-and-white grid commands the wall best in modern interiors with black joinery, brass, or industrial shelving, and can fight calm neutral palettes such as Scandi, Hamptons, or Japandi.
- Surface texture
- The print has a smooth, printed giclée surface rather than visible brushstrokes or a pronounced woven-canvas texture; one reviewer said it looked like vinyl rather than painted.
- High-contrast palette
- The Red variant reproduces Warhol's saturated red-and-white Campbell's palette with crisp black outlines, giving the image a bold, high-contrast graphic punch that reads as a strong statement piece rather than a muted neutral.
- Original collection
- The original 1962 100 Cans entered the Albright-Knox Art Gallery (now Buffalo AKG Art Museum) in December 1963 as a gift of Seymour H. Knox Jr. and remains in that museum's collection.
- Scale vs original
- The original 100 Cans support is 72 x 52 inches, while this reproduction is a 24 x 30 inch ready-to-hang piece—a deliberate domestic-scale compression from a monumental museum painting.
- Orientation
- The 24 x 30 inch print hangs in portrait orientation, with 30 inches as the height and 24 inches as the width.
Product record
- Title
- 100 Cans Art Print Andy Warhol
- Brand
- Giant Art
- Price
- 398 CAD
- Availability
- In stock
Image Analysis
3 images- 01
Product
A rectangular framed art print hung on a wall showing a dense grid of red-and-white soup can illustrations behind a white mat and black outer frame.
- Frame shape and finishRectangular picture frame with a thin black outer border that appears matte or low-sheen.
1 region
x 0.38 · y 0.08 · w 0.37 · h 0.52 (high) - Mat boardWide white mat surrounding the printed image, creating a visible white margin between the black frame and the print.
1 region
x 0.41 · y 0.12 · w 0.33 · h 0.43 (high) - Printed image contentCentral print shows a dense rectangular grid made up of many small, repeated soup can illustrations; cans display a red upper section and white lower section with a horizontal demarcation.
1 region
x 0.45 · y 0.15 · w 0.28 · h 0.35 (high) - Repeated brand text on cans“The word 'Campbell' appears repeatedly on many of the small can illustrations.”
1 region
x 0.46 · y 0.17 · w 0.26 · h 0.18 (medium) - Lower margin annotationSmall handwritten or printed marks are visible along the bottom edge of the printed area inside the mat, possibly signatures or edition marks; individual characters are not legible at this scale.Partial
1 region
x 0.45 · y 0.49 · w 0.26 · h 0.04 (medium)
Other
Lifestyle shot showing the framed print mounted on a pale beige wall with a white sheer curtain visible on the left; lighting is soft and even with a subtle shadow along the frame.
- Wall backgroundSmooth pale beige wall occupying the right two-thirds of the image behind the frame.
1 region
x 0.55 · y 0.00 · w 0.45 · h 1.00 (high) - Curtain propWhite sheer curtain with vertical folds is visible along the left edge of the image and extends top-to-bottom.
1 region
x 0.00 · y 0.00 · w 0.33 · h 1.00 (high) - Lighting and shadowSoft, diffused lighting with a faint shadow cast on the wall to the right of the frame and a slight reflective highlight on the left inner edge of the black frame.
Colors
matte black· outer frameclean white· mat board#F3ECEBbright red· can illustrations (red area)#9C020Cprint white· can illustrations (white area)#F3ECEBwarm gold· can illustrations (gold accent)- Frame shape and finishRectangular picture frame with a thin black outer border that appears matte or low-sheen.
- 02
Product
Close-up views of a framed art print showing the front lower-right framed corner with white mat and part of the printed artwork, and the rear of the frame with a black backing and a metal hanging wire attached to D-ring hardware.
- Front frame cornerRectangular black picture frame with a square-cut mitered outer corner visible; frame appears to have a matte finish and consistent thickness on the visible edges.
1 region
x 0.39 · y 0.02 · w 0.57 · h 0.42 (high) - White matWhite mat board inside the frame surrounding the printed image with a narrow even border visible along the frame interior.
1 region
x 0.05 · y 0.03 · w 0.46 · h 0.34 (high) - Printed artwork fragmentPartial printed image of vertically repeated soup cans with red label areas and small yellow circular details; only top portions of the can labels and lower label text are visible.
1 region
x 0.06 · y 0.00 · w 0.31 · h 0.17 (high) - Backing panelFlat black backing board covering the rear of the frame with a smooth surface and squared edges.
1 region
x 0.00 · y 0.51 · w 0.99 · h 0.46 (high) - Hanging wireMetal hanging wire stretched horizontally across the back, fastened at the right edge with visible twists in the wire near the attachment point.
1 region
x 0.02 · y 0.60 · w 0.95 · h 0.16 (high) - D-ring hardwareSmall metal D-ring bracket anchored to the right rear edge of the frame with a visible screw head holding the wire attachment.
1 region
x 0.86 · y 0.62 · w 0.11 · h 0.08 (high)
Other
Two-panel composition showing a cropped front detail above and the frame rear below, photographed against a textured light-colored wall with soft even lighting and mild shadows.
- Shot compositionImage divided into two stacked panels: upper panel shows front corner detail and lower panel shows rear backing and hanging hardware.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Wall textureTextured light-colored wall surface visible around the frame edges with small cast shadow beneath the lower front frame corner.
2 regions
x 0.73 · y 0.00 · w 0.27 · h 0.55 (high); x 0.70 · y 0.49 · w 0.30 · h 0.51 (high) - Lighting and shadowSoft diffuse lighting with mild shadows along the interior edge of the frame and a subtle highlight on the right rear frame edge indicating directional light from the left or front-left.Partial
1 region
x 0.36 · y 0.00 · w 0.60 · h 0.70 (medium)
Colors
matte black· frame exterior#3B302Fbright white· mat board#F4EBE9vivid red· printed red label#B32232warm yellow· printed yellow detailmetallic silver· hanging wire and hardware- Front frame cornerRectangular black picture frame with a square-cut mitered outer corner visible; frame appears to have a matte finish and consistent thickness on the visible edges.
- 03
Product
Four framed art prints hung on a pale wall: a square Marilyn portrait at upper left, a Campbell's soup can print at upper right, a dense grid print of repeated Campbell's cans at lower left, and a floral print with purple flowers at lower right. All four are shown in simple thin black frames with white matting.
- Overall groupingFour separate rectangular framed prints arranged in a loose grid on a pale wall; each print has a thin black frame and a white mat border visible between frame and artwork.
- Upper-left printSquare portrait of a stylized face with yellow hair, pink skin tones, teal background and turquoise eyelid accents; image is centered in a black frame with white mat.
1 region
x 0.29 · y 0.03 · w 0.36 · h 0.22 (high) - Upper-right Campbell's can printVertical print showing a single Campbell's tomato soup can with a red upper band, white lower band, and visible printed text on the can.
1 region
x 0.65 · y 0.08 · w 0.25 · h 0.22 (high) - Lower-left grid printRectangular print filled with a dense regular grid of small repeated Campbell's soup can images against a white background; each small can shows a red upper band and a white lower band.
1 region
x 0.27 · y 0.34 · w 0.36 · h 0.34 (high) - Lower-right floral printSquare print showing a high-contrast black-and-white photographic background overlaid with several flat purple flower shapes; framed and matted like the others, and placed on a low white pedestal surface at the bottom edge of the image.
1 region
x 0.62 · y 0.53 · w 0.28 · h 0.33 (high) - Frame and mat constructionAll visible frames are narrow, straight-edged black frames with an inner white mat border between frame and image; glass or glossy surface produces subtle reflections.
- Printed text on upper-right can“Campbell's”
1 region
x 0.69 · y 0.14 · w 0.18 · h 0.10 (high) - Printed text on upper-right can, smaller lines“CONDENSED”
1 region
x 0.71 · y 0.20 · w 0.14 · h 0.05 (high) - Printed text on upper-right can, lower“TOMATO”
1 region
x 0.70 · y 0.24 · w 0.15 · h 0.06 (high) - Printed text on upper-right can, bottom“SOUP”
1 region
x 0.71 · y 0.29 · w 0.14 · h 0.05 (high) - Repeated small text in grid print“Campbell's”
1 region
x 0.30 · y 0.37 · w 0.30 · h 0.28 (medium)
Other
Interior lifestyle setting with sheer white curtains at left, a pale floor and wall, a low white rectangular pedestal supporting the lower-right frame, and soft directional lighting producing faint shadows and reflections.
- Curtains and window lightSheer white curtains hang along the left edge and admit diffused daylight that casts soft vertical highlights and shadows across the floor and wall.
1 region
x 0.00 · y 0.00 · w 0.19 · h 1.00 (high) - Low pedestalRectangular white pedestal or bench at lower center-right supports the lower-right framed print and creates a horizontal top surface that aligns with the bottom of the lower-right frame.
1 region
x 0.50 · y 0.71 · w 0.43 · h 0.18 (high) - Shot compositionVertical composition showing wall-mounted art and part of the floor and curtains; camera is facing the wall straight-on with slight right framing to include pedestal.
- Floor texture and lightingSmooth pale floor with soft linear light reflections and faint shadows extending from the left toward the center of the image.
1 region
x 0.00 · y 0.76 · w 1.00 · h 0.24 (high)
Colors
black· framewhite· mat#ECE5E2warm red· Campbell's can artwork (red band)#94212Dteal· Marilyn background#749C9Apurple· Floral overlay#6D469A
Brand PDP Lookup
- Brand
- Giant Art
One Hundred Cans, 1962 - Art Print by Andy Warhol
Documents & Data
Customer Reviews
1 total1 reviews · out of 5
Not sure about frame. thought
Not sure about frame. thought it would be painted rather than vinyl.
Reddit Insights
4 threads · r/ContemporaryArt, r/explainlikeimfive, r/unpopularopinion, r/artcollectingReddit discussions on Warhol soup cans reveal a split between appreciation for the concept and criticism of the execution, with Warhol prints seen as popular but commoditized decor.
While some praise Warhol's innovative use of mass production and screen printing to democratize art, many dismiss his technical skill and view his prints as over-commercialized.
Themes
Use Cases
- Home decoration
- Art collecting (lower-value prints)
Watch Out For
Compared To
vs Original Warhol soup can paintings vs. prints
Original soup can paintings are rare and valuable, but prints and lithographs are mass-produced and seen as mere posters.
vs Other artists (e.g., Picasso, Haring)
Warhol is often compared unfavorably to artists who demonstrated more traditional technical skill.
Source Threads
Warhol soup can print editions and vulnerability
Set of ten prints were produced in 250 portfolios. Quite expensive these days. I had a Scotch Broth only for my son to destroy it by spraying a water pistol on the glass which soaked up and altered the colour.
u/MarlythAvantguarddogr/ContemporaryArtView thread →
Warhol's screen printing technique and conceptual flip
what Warhol did was try to flip fine art on its head by making countless, identical, virtually limitless prints. It took the idea of fine art being one painting or one sculpture and doing a 180-degree turn. Art didn't have to be illuminated angels or cubism dreams, but maybe it could be rows and rows of cans in the grocery store.
u/Brigaragiraber/explainlikeimfiveView thread →
Warhol's marketing brilliance over artistic talent
Warhol was a brilliant marketer. He knew the special sauce to keep getting press coverage which is more critical to being remembered now than actually being talented.
u/[deleted]r/unpopularopinionView thread →