Simons
Ritmo 02 art print See available sizes product image (primary)
A framed square art print hung on a wall showing abstract shapes in olive green, pale beige, pink and tan; the frame is narrow light wood with visible grain.

Paper Collective

Ritmo 02 Art Print See Available Sizes

CA$59.99CAD
In Stock

Ritmo 02 is a fine-art print by Mexican artist Berenice Hernandez, published by Paper Collective, featuring abstract intertwined forms in green, violet, rose, yellow, and beige. It is jet-printed in 12 colors on responsibly sourced matte fine-art paper and printed in Denmark. The print is available in 11.75 x 11.75 inches and 19.75 x 19.75 inches, and is intended for indoor wall display; frame not included.

Material
responsibly sourced matte fine art paper
Style
modern, contemporary, artsy
Category
Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts

Color

Patterned White

Size

30X30CM50X50CM
View on merchant siteJSON

Specifications

Abstract art print by Mexican artist Berenice Hernandez, featuring fluid rhythms in green, violet, rose, yellow, and beige tones, jet printed on matte fine art paper.

Jet printed in 12 colours on thick responsibly sourced matte fine art paper; printed in Denmark; art print only (frame not included); available in 30x30 cm and 50x50 cm sizes.

Material
responsibly sourced matte fine art paper
Style
modern, contemporary, artsy
Condition
new
Category
Arts & Entertainment > Hobbies & Creative Arts > Arts & Crafts

Additional Attributes

  • art print
  • abstract forms
  • green, violet, rose, yellow, beige tones
  • originally painted on canvas and raw linen
  • jet printed in 12 colours
  • responsibly sourced matte fine art paper
  • printed in Denmark
  • art print only (frame not included)
  • available in 30x30 cm and 50x50 cm
  • Danish brand
  • Mexican artist
  • fluid rhythm
  • artistic elegance

Product Insights

The Ritmo 02 Art Print blends Mexican illustration, engraving, painting, and textile techniques with Danish design, offering an earth-toned palette inspired by Monterrey's geography and botany. Priced at 80 CAD, it is printed to order in Denmark on 265 gsm FSC-certified paper using 12-colour giclée, ensuring tonal depth and brushwork fidelity. Designed to work alone or in coordinated sets, the matte, full-bleed print (with a slight frame overlap) complements boho and Japandi interiors, though care with UV-filtering glass and handling is advised to prevent fading, and colors appear truest in natural daylight.

Verified claims

Artist background
Ritmo 02 uses a mix of illustration, engraving, painting, and textile techniques.
Inspiration
Palette and forms draw from Monterrey's geography, botany, and Latin-Danish cultural fusion.
Collection design
Designed to work alone or in sets within the Ritmo 01-04 series.
Series coherence
Ritmo prints are designed to flow as a set, open-edition, and made-to-order for uniform quality.
Color harmony
Ritmo's earth-toned palette (green, beige, purple) prevents color clash in any combination of prints.
Light protection
Use UV-filtering glass and avoid direct sunlight to prevent fading.
Framing
Preserve the print with acid-free backing, sealed frame, and spacer.
Handling
Handle the print by edges or with cotton gloves to avoid damage.
Color palette
Complements wood, rattan, linen, and terracotta in boho and Japandi spaces.
Display
Matte surface eliminates glare; full-bleed image works alone or in groups.
Artistic narrative
Mexican artistry meets Danish design for a cultural narrative.
Material
Responsibly sourced paper: 265 gsm, FSC-certified, 12-colour giclée, made to order in Denmark.
Giclée reproduction
12-colour giclée captures the original painting's tonal variation and brushwork.
Freshness
Made-to-order in Denmark, shipped fresh from the press.
Care
UV-filtering glass and careful handling are recommended to prevent fading and marks.
Production
Printed to order in Denmark from Paper Collective's own facility.
Artist curation
Ritmo 02 is by handpicked long-term collaborator and multidisciplinary artist Berenice Hernandez.
Series design
Ritmo collection designed to work as singles or coordinated sets.
Color match
Buyers report colors match product images best in natural daylight.
Surface reproduction
12-color giclée captures original brushwork, weave, and color depth.
Full-bleed
The print is full-bleed with no border; the frame lip will overlap the image by a few millimeters.
Light exposure
Avoid direct sunlight; view the print in indirect natural light to prevent fading and evaluate colors accurately.

Product record

Title
Ritmo 02 Art Print See Available Sizes
Brand
Paper Collective
Price
80 CAD
Availability
In stock

Deep Research

Preserving and framing full-bleed fine art prints

  • The most impactful framing decision for a giclée print is the glazing: UV-filtering glass or acrylic blocks up to 99% of UV radiation and dramatically slows fading, and the small price premium over standard glass is negligible compared to the value of the artwork — conservation framers treat standard float glass as inadequate for archival prints.
  • Applying gummed paper tape or pressure-sensitive sealing tape around the back of the frame after assembly blocks dust, insects, and airborne pollutants — a widely recommended archival practice that significantly slows the slow accumulation of contaminants behind the glass.
  • Standard cardboard, Masonite, or corrugated backing boards emit acids that migrate into paper and cause foxing — substituting a neutral-pH board (4-ply rag matboard or polypropylene flute) is a minimal-cost step that prevents the print’s archival paper from being undermined by its own framing materials.
  • Framing a full-bleed print without a mat — the 'straight fit' — means the frame’s lip overlaps the image by a few millimetres on every side; ensuring that no critical element of the composition sits within that margin avoids a cramped or cropped look after framing.
  • Even clean fingers deposit oils and moisture that can yellow or stain matte fine art paper — handling the print only by its edges or with cotton gloves before it is framed keeps the ink-bearing surface pristine, a practice that professional framers consider essential for giclée prints on cotton-blend stock.
  • When a full-bleed print is framed without a mat to preserve the edge-to-edge look, a slender acrylic or polyester spacer strip (such as Framespace or Inner Space) creates the vital air gap between the print and the glass — preventing moisture condensation and pigment adhesion that can ruin the surface over time.
  • Even with UV-filtering glass, prolonged direct sunlight — especially on a south-facing wall — causes fading faster than any other factor; placing the print on a wall that receives only indirect, diffused daylight is the single highest-impact positioning choice for preserving the interplay of green, violet, and rose tones in Ritmo 02.

How the print fits various interior design styles

  • The print’s signature blend — green, deep purple, earthy pink, yellow, and beige — sidesteps cool grey or stark primary contrast in favour of a warm, organic spectrum rooted in botany; this makes it a natural companion to wood furniture, rattan, linen textiles, and terracotta accents, pulling together boho, Japandi, and organic-modern rooms without a clash.
  • The 12-colour giclée print on 265 gsm matte acid-free paper delivers a soft, nearly powdery surface that absorbs light instead of reflecting it — in rooms flooded with daylight or layered gallery walls where multiple prints sit side-by-side, this non-glossy quality maintains legibility and gives the artwork the casual refinement of an original canvas painting rather than a plastic-coated poster.
  • With creator Berenice Hernandez working from Monterrey, Mexico, and production handled by a Copenhagen-based brand, Ritmo 02 straddles Latin American botanical exuberance and Danish modern restraint — this cultural duality gives the piece a narrative layer that lands in interiors where storytelling and authentic, artisanal character are as important as colour, such as global-eclectic or travel-inspired spaces.

Paper Collective's print quality and brand ethos

  • Paper Collective produces all its art prints to order in its own Danish facility, a vertically integrated model that eliminates warehouse aging and ensures each print ships fresh from the press — a significant quality advantage over mass‑produced stock that may have been stored for months.
  • Because the Ritmo series originated as paintings on canvas and raw linen, the giclée print captures the weave and brushwork of the original surfaces, lending the reproduction a material texture that reads as authentic art rather than a flattened computer‑generated image.
  • Rather than amassing a random assortment of imagery, Paper Collective handpicks top international artists, curating a collection that behaves like a gallery program; the Ritmo series by Berenice Hernandez is part of this selectively edited roster, giving buyers confidence that the work has passed an editorial bar and isn’t just another generic abstract print.
  • The matte paper is FSC‑certified and sourced from European mills, backing up the ‘responsibly sourced’ claim with verifiable forest‑management credentials and a supply chain that adheres to EU environmental regulations — a detail that matters to buyers who want their art to align with ethical consumption.
  • The 12‑colour giclée process used by Paper Collective is a professional‑grade method that expands the colour gamut and smooths tonal transitions far beyond what consumer 4‑ or 6‑colour printers can achieve — for a buyer, that means the print’s shadows, gradients, and subtle colour shifts from the original painting are preserved with gallery‑like fidelity.
  • Mexican artist Berenice Hernandez’s practice spans illustration, engraving, painting, and textile techniques — a multidisciplinary background that imbues the print with a tactile, handcrafted quality rarely found in generic digital art, giving the piece the feel of a fine‑art object rather than mass‑produced décor.

Artist background and the Ritmo collection

  • Paper Collective describes Hernandez as a 'much loved collaborator,' signaling that her work is a permanent feature of the brand's artist roster — this isn't a one-off partnership but a sustained relationship that implies both reliability and a shared design philosophy.
  • The artist layers illustration, engraving, painting, and textile techniques onto her botany focus — so the abstract interlocking forms in Ritmo 02 aren't random but are grounded in a naturalistic study of plant life, giving the print a depth that rewards close inspection even as a reproduction.
  • Berenice Hernandez works from a studio in Monterrey where mountain cool meets desert heat — that extreme contrast directly informs the Ritmo collection's vivid interplay of deep green and violet against earthy rose and beige, giving the print a genuine geographic anchor rather than a generic abstract palette.
  • Hernandez's background in art direction and graphic design means her abstract botanicals are composed with an architectural eye for balance and tension, which explains why Ritmo 02 reads as purposeful and modern — it is art built by a trained director who understands how imagery sits in a room.
  • The Ritmo collection was purpose-built to function as both standalone pieces and in grouped sets — the forms rise and fall in a deliberate rhythm that aligns across Ritmo 01–04, so this print can be the start of a curated gallery wall or hold its own as a singular statement.
  • The print is produced as a 12-colour Giclée on acid-free 265 gsm paper — a reproduction method standard in gallery-grade fine art that captures the texture and brushwork of the original mixed-media painting, so the organic grain of the canvas and linen grounds translates to the final piece.

Image Analysis

3 images
Ritmo 02 art print See available sizes product image (primary)
01

Product

A framed square art print hung on a wall showing abstract shapes in olive green, pale beige, pink and tan; the frame is narrow light wood with visible grain.

  • Framed print shapeSquare art print in a narrow light-wood frame, hung on the wall about one radiator width above the floor; frame has a simple rectangular profile and visible wood grain.
    1 regionx 0.17 · y 0.12 · w 0.34 · h 0.23 (high)
  • Print compositionAbstract composition showing a large olive-green curved shape occupying the upper portion of the print, with overlapping pale beige, muted pink and tan curved forms below.
    1 regionx 0.20 · y 0.14 · w 0.29 · h 0.18 (high)
  • Frame finishNarrow, light brown wood frame with visible grain and a matte finish.
    4 regionsx 0.17 · y 0.12 · w 0.34 · h 0.03 (medium); x 0.17 · y 0.32 · w 0.34 · h 0.03 (medium); x 0.17 · y 0.14 · w 0.03 · h 0.17 (medium); x 0.48 · y 0.14 · w 0.03 · h 0.17 (medium)

Other

Lifestyle scene showing the framed print above a pale painted radiator in a room with wooden furniture, a vintage wooden tennis racket leaning against the radiator, a stack of books, and a tall floor lamp at right.

  • RadiatorVertical-column radiator painted a pale off-white or cream color positioned beneath the framed print; visible pipework and a round valve on the right side.
    1 regionx 0.17 · y 0.28 · w 0.33 · h 0.47 (high)
  • Tennis racket propVintage wooden tennis racket with a triangular wooden protective frame around the strings, the handle painted black at the lower end, leaning upright against the radiator.
    1 regionx 0.40 · y 0.55 · w 0.09 · h 0.32 (high)
  • Wood table cornerCorner of a mid-tone wooden table with square leg at left foreground holding a small stack of books and other objects.
    1 regionx 0.03 · y 0.55 · w 0.33 · h 0.39 (high)
  • Stack of books and flower objectStack of colorful books on a wooden surface at lower right, topped by a flat blue flower-shaped object with a pale center.
    1 regionx 0.74 · y 0.68 · w 0.23 · h 0.21 (high)
  • Floor lampTall, slender floor lamp at right with a thin metallic stem and a small pale lampshade angled slightly, casting a soft shadow on the wall.
    1 regionx 0.80 · y 0.06 · w 0.10 · h 0.68 (high)
  • Books on table text visible“ET LILLE LIV”
    1 regionx 0.07 · y 0.52 · w 0.17 · h 0.05 (high)
  • Books on table text visible 2“HANYA YANAGIHARA”
    1 regionx 0.07 · y 0.56 · w 0.17 · h 0.05 (high)
  • Shot compositionVertical shot framing the mid-left wall area; objects are arranged in layers from foreground furniture to wall-mounted artwork; lighting is soft and even with subtle shadows.

Colors

olive green· large curved shape on print#72743Cpale beige· print backgroundmuted pink· secondary curved formslight wood· frame#727235
Ritmo 02 art print See available sizes product image 2
02

Product

Abstract printed art showing large curved color fields on textured paper: a deep olive-green upper field, a pale cream background, a translucent pale pink central shape, and a peach/tan ribbon-like accent; visible paper wrinkles and layered paint texture throughout.

  • Upper curved fieldLarge irregular curved color field occupying the image top, with a matte olive-green fill and noticeable brush/printing texture.
    1 regionx 0.00 · y 0.00 · w 1.00 · h 0.36 (high)
  • Background paper fieldPale cream off-white field forming the base layer behind the other shapes, showing creases and paper fiber texture.
    1 regionx 0.00 · y 0.36 · w 1.00 · h 0.64 (high)
  • Central translucent shapeLarge semi-translucent pale pink amorphous shape across the center that reveals paper texture beneath and has softer, irregular edges.
    1 regionx 0.08 · y 0.36 · w 0.78 · h 0.48 (high)
  • Peach/tan ribbon accentNarrow ribbon-like peach to tan shape along the right and lower center with a slightly warmer, more opaque finish than the pale pink shape.
    1 regionx 0.62 · y 0.45 · w 0.33 · h 0.45 (high)
  • Paper surface textureVisible creases, folds, and uneven paper texture across the entire print, including fine vertical and diagonal wrinkle lines and subtle raised areas from layered medium.
  • Edge blending between fieldsSoft irregular boundaries where the colored shapes meet the cream background, with slight overlap and visible paper fibers at junctions.
  • Small metallic or warm markTiny warm-toned mark or signature near the bottom-right corner separate from the main shapes.
    1 regionx 0.94 · y 0.96 · w 0.05 · h 0.04 (medium)

Other

Studio-framed crop of the art print photographed straight-on with even diffuse lighting; image shows the full printed surface within the frame and no packaging or props.

  • Shot compositionPortrait-oriented crop showing the printed surface edge-to-edge with no visible frame or mat, centered and filling the image.
  • Lighting and shadowEven diffuse lighting with minimal harsh shadows; subtle specular highlights on textured areas indicate slight sheen in places.
  • Image qualitySharp focus on surface texture and paint edges; no visible metadata overlays or lens distortion.

Colors

olive green· upper curved field#81843Dpale cream· background paperpale pink· central translucent shape#D3AC7Cpeach tan· peach/tan ribbon#CCA57Awarm gold· small warm mark
Ritmo 02 art print See available sizes product image 3
03

Product

Framed abstract art print visible front-on: thin light-wood frame surrounding a textured paper print with a large olive-green top shape, pale cream background, translucent pale-pink layered shapes and a tan-orange curved ribbon, plus a small purple wedge at the upper-left.

  • Frame material and profileThin rectangular wooden frame with visible wood grain and mitred corners; frame width is narrow relative to overall image and encloses the print on all sides.
    1 regionx 0.02 · y 0.02 · w 0.96 · h 0.96 (high)
  • Background fieldPale cream/very light beige textured paper surface that fills most of the lower two-thirds of the composition and shows visible creases and subtle tonal variations.
    1 regionx 0.04 · y 0.29 · w 0.91 · h 0.66 (high)
  • Large top shapeA broad olive-green curved shape occupying the upper portion of the print, with an uneven lower edge and subtle surface texture and faint lines on its surface.
    1 regionx 0.04 · y 0.04 · w 0.91 · h 0.33 (high)
  • Translucent pale-pink formA wide, ribbon-like pale pink shape crosses from left toward the lower center area; it appears layered and semi-transparent with underlying texture visible.
    1 regionx 0.12 · y 0.36 · w 0.66 · h 0.26 (high)
  • Tan-orange curved ribbonA tan to light orange tapered curved band sits on the right side of the composition overlapping the pale-pink form and extending toward the lower right quadrant.
    1 regionx 0.68 · y 0.46 · w 0.25 · h 0.35 (high)
  • Small purple wedgeA narrow vertical purple wedge is visible along the top-left edge where the green shape meets the frame.
    1 regionx 0.04 · y 0.03 · w 0.06 · h 0.10 (high)
  • Surface texture and creasingPaper surface shows visible fold and crease lines, subtle raised texture, and slight shading variations across the print, most noticeable in the cream and pink areas.
    1 regionx 0.15 · y 0.35 · w 0.70 · h 0.55 (medium)

Other

Front-facing product shot centered on a white background with soft shadow; cropped fairly tightly to show the framed print and minimal surrounding margin.

  • Shot compositionPrint and frame centered in image, photographed front-on with the frame edges parallel to image borders.
  • Background and shadowPlain white studio background with a faint drop shadow below the frame consistent with a light source from above.
    1 regionx 0.12 · y 0.94 · w 0.76 · h 0.04 (medium)
  • Image qualityEven lighting and good sharpness across the framed print; no legible printed text or labels visible on the product surface.

Colors

light oak· frame#CD9253olive green· large top shape#747936pale cream· background paper#D5D9CBpale pink· pale pink ribbon#DBCDD2muted tan orange· tan-orange ribbon#CDA97Ddeep purple· purple wedge

Documents & Data

Q&A

5 answered
Is the print paper acid-free and archival quality to ensure long-term color stability?
Yes, the print is made on FSC-certified acid-free paper, which ensures long-term color stability and archival quality [1].
What is the paper weight (gsm)? Thicker paper feels more premium and is easier to handle.
The paper weight is 265 gsm according to the brand's product page [1]. This is a heavyweight paper that feels premium and handles well.
How accurately do the print colors match the images shown online, especially given variations in screen calibration?
Colors may vary between screen and print due to differences in color models—screens use RGB (emitted light) while prints use CMYK (reflected light) [2]. To get the best match, we recommend viewing the print under consistent lighting; many customers find the actual colors closely match the product images when viewed in natural daylight.
Is this print part of a limited edition with a set number of copies, or is it an open edition?
This print is an open edition—it is not limited to a set number of copies. The brand's product page does not mention an edition size or numbering.
Does the print have a white border around the image, or is it full-bleed to the edge? This affects framing options and matting choices.
The print does not have a white border—it is a full-bleed image that extends to the edge of the paper. However, we recommend checking the exact dimensions of the print (which match the listed size) and leaving a small margin when framing, as frame mats can be added if desired.

Provenance

Merchant Link
https://www.simons.ca/en/decor/posters-prints-wall-art/ritmo-02-art-print-see-available-sizes--20640-25104237?colourId=0
Updated