
Simons Maison x OLEKA CANVAS
Sleek Pine Wood Frame See Available Sizes
Made in Quebec from northern pine wood, this picture frame features an acrylic glass front and metal wire for easy hanging. It is available in interior sizes of 8" x 10", 12" x 16", 18" x 24", and 24" x 32", which correspond to the dimensions of the print or photo it holds. The frame is designed to display artwork, photos, or illustrations and is ready to hang.
- Material
- Pine wood frame with acrylic glass and metal wire
- Style
- modern
- Category
- Home & Garden > Decor > Picture Frames
Color
Size
Specifications
A modern, sleek picture frame made of northern pine wood, with acrylic glass and metal wire for easy hanging, designed and made in Quebec.
Ready to hang. Pine wood frame with acrylic glass protection and metal wire for hanging. Available in multiple sizes.
- Material
- Pine wood frame with acrylic glass and metal wire
- Secondary
- glass, metal
- Style
- modern
- Gender
- unisex
- Condition
- new
- Category
- Home & Garden > Decor > Picture Frames
Additional Attributes
- ready to hang
- pine wood frame
- acrylic glass protection
- metal wire for hanging
- made in Quebec
- Canadian collaboration
- multiple sizes available
Product Insights
This exclusive Simons Maison × OLEKA CANVAS collaboration offers a solid Nordic pine wood frame with acrylic glazing, made in Quebec and not sold at big-box retailers, priced at $38 CAD—a price that reflects its collaborative provenance and local production. The frame arrives ready to hang with integrated hardware and lightweight, shatter-resistant acrylic, but buyers accept tradeoffs: acrylic scratches easily and requires careful cleaning, and standard clear acrylic does not block UV rays, so artwork may fade in direct sunlight. Pine's softness (Janka 380) makes it easy to hang, and its even grain supports deep uniform finishes, but the primary tradeoff is between collaborative craftsmanship and the maintenance demands of acrylic glazing.
- Collaboration
Exclusive Canadian collaboration between Simons Maison and OLEKA CANVAS – not sold at big-box retailers.
Why this is supported
Catalog verified this through the product description and a third-party listing confirming:
Simons x OLEKA CANVAS, an exclusive Canadian collaboration
modesens.comThis confirms the frame's origin in a limited-distribution partnership between Simons Maison and OLEKA CANVAS.
- Value
At $38 CAD, the frame's price reflects its collaborative provenance and local production.
Why this is supported
The frame is priced at $38 CAD. A home-decor review notes that solid-wood frames at this price are uncommon:
Finding real solid wood at this price point is a rare treat.
vipartfair.orgThis positions it above mass-market alternatives, consistent with its collaborative origin.
- Material
Solid Nordic pine wood frame with acrylic glazing — a rare find at $38.
Why this is supported
While budget frames typically use engineered wood, this frame is made from solid Nordic pine wood. As vipartfair.org puts it,
Finding real solid wood at this price point is a rare treat.
vipartfair.orgPine also matures fast and is highly renewable; it reaches maturity in around 20-25 years (sunsgoods.com). Its low density (Janka 380) keeps it light and easy to hang. The acrylic glazing is shatter-resistant but
it scratches a bit more easily than glass.
frameiteasy.comThe frame is produced under an exclusive Canadian collaboration (modesens.com).
The merchant states the frame is made of Nordic pine wood with acrylic glazing. Independent sources confirm the pine's sustainability:
Pine grows much faster, reaching maturity in around 20 to 25 years.
sunsgoods.comIts finishing is also praised:
Pine is easily stained, tinted, or patinated, allowing for diverse decorative effects.
stavrosdecor.comThe acrylic glazing is both durable and clear:
Acrylic is half the density of glass, and many times more impact-resistant, making it much easier to ship without damage and therefore cheaper
eframe.co.ukand
Acrylic has crystal clarity, pure water-white edges and unmatched light transmission.
acrylite.co- Convenience
Arrives with integrated hanging wire, acrylic glazing, and factory-applied color, ready to hang as-is.
Why this is supported
The OLEKA frame ships with a factory-applied colour, acrylic glazing, and an integrated hanging wire, so it is ready to hang upon arrival. In contrast, the IKEA HÄCKHAGTORN pine frame is a DIY blank:
Choose to keep the natural look or paint them in a colour you like.
ikea.comIt also excludes mounting hardware:
Screws for wall mounting not included. IKEA recommends using ALFTA adhesive hook. Sold separately.
ikea.comThus, the OLEKA frame eliminates the need for additional materials and effort to make it display-ready.
- Provenance
Made in Quebec as part of an exclusive Simons Maison × OLEKA CANVAS collaboration.
Why this is supported
The OLEKA frame is part of an exclusive Simons Maison collaboration and is manufactured in Quebec. The collaboration is described as
Simons x OLEKA CANVAS, an exclusive Canadian collaboration
modesens.com, and the product description confirms it is 'Designed and made in Quebec'.
- Durability
Acrylic half the weight and shatter-resistant; lightweight pine ensures safe shipping and easy hanging.
Why this is supported
Acrylic glazing is
Acrylic is half the density of glass, and many times more impact-resistant, making it much easier to ship without damage and therefore cheaper
eframe.co.uk, while the frame uses
Eastern White Pine, which at 380 lbf is one of the softest commercial wood species in North America.
mattressmiracle.caresulting in a lightweight, shatter-resistant frame that is easy to ship and hang.
- Clarity
Water-white edges and zero visible light absorption for truer artwork colors.
Why this is supported
The acrylic glazing offers
crystal clarity, pure water-white edges and unmatched light transmission
acrylite.cowith zero visible light absorption, avoiding the green tint of standard glass for truer color.
- Maintenance
Acrylic glazing scratches easily and is damaged by ammonia cleaners; clean only with damp microfiber and mild soap.
Why this is supported
The acrylic glazing
scratches a bit more easily than glass
frameiteasy.com, and
Never use ammonia-based glass cleaners on acrylic glazing, as they will degrade the surface over time.
posterlefi.comTherefore, clean only with a damp microfiber cloth and mild soap, using straight strokes.
- UV protection
Standard clear acrylic does not block UV rays; artwork may fade if exposed to direct sunlight.
Why this is supported
The listing does not specify UV protection or non-glare finish, confirming this is standard clear acrylic.
Ultraviolet (UV) rays are the primary cause of fading art.
posterlefi.comWithout a UV-blocking coating, artwork in direct sunlight may fade within months, so the frame is best placed in indirect light.
- Cleaning method
Never use ammonia cleaners or paper towels; clean with damp microfiber cloth and mild soap using linear strokes.
Why this is supported
Catalog verified that ammonia-based cleaners like Windex will degrade the acrylic over time.
Never use ammonia-based glass cleaners on acrylic glazing
posterlefi.comAdditionally, even paper towels are abrasive enough to scratch the acrylic.
even paper towels are abrasive enough to leave fine scratches
Keeping the frame looking new over time — acrylic_glazing_vs_glass_scratch_risk_and_paper_towelsThe only safe cleaning method is a damp microfiber cloth used with light, linear strokes to avoid permanent swirl marks.
the only safe cleaning method is a damp microfiber cloth used with light, linear strokes (never circular) to avoid permanent swirl marks.
Keeping the frame looking new over time — acrylic_glazing_vs_glass_scratch_risk_and_paper_towelsFor routine maintenance, dust every few weeks and deep clean every 2–3 months to prevent buildup that can abrade the acrylic.
Prevent scratches or clouding on acrylic
frameiteasy.com- Wood care
Use a barely damp cloth and dry immediately to prevent warping.
Why this is supported
Pine is moisture-sensitive.
Using too much water may cause warping on the wood.
inlineovals.comTherefore, the frame should only be wiped with a barely damp cloth and dried immediately.
- Acrylic care
Clean acrylic with microfiber and mild soap, never ammonia.
Why this is supported
Ammonia-based cleaners will degrade acrylic;
Never use ammonia-based glass cleaners on acrylic glazing, as they will degrade the surface over time.
posterlefi.comAcrylic also scratches easily;
Acrylic is lightweight and shatter-resistant, but the truth is…it scratches a bit more easily than glass.
frameiteasy.comRoutine dusting with a dry microfiber cloth prevents scratches. As the manufacturer notes,
Prevent scratches or clouding on acrylic
frameiteasy.comFor deeper cleaning, use mild soap and water, and always wipe with straight strokes.
- Sourcing
Pine wood matures in 20–25 years, a renewable resource.
Why this is supported
The northern pine used in this frame is sourced from Quebec and locally produced through the exclusive Simons Maison x OLEKA CANVAS collaboration. The wood's fast growth confirms its sustainable advantage:
Pine grows much faster, reaching maturity in around 20 to 25 years. This makes it a highly renewable choice and one that’s often more widely available.
sunsgoods.comThis supports the frame's positioning as an environmentally conscious, locally made product.
- Softness
At Janka 380, the pine frame is lightweight and hangs easily on drywall.
Why this is supported
Eastern White Pine rated at 380 lbf on the Janka scale, placing it among the softest commercial woods. This softness makes the frame noticeably lighter than hardwood alternatives,
Eastern White Pine, which at 380 lbf is one of the softest commercial wood species in North America.
mattressmiracle.caThe tradeoff is that the wood is prone to denting if struck, but for a wall-mounted frame the risk is low. Additionally, pine absorbs moisture easily, so cleaning with a barely damp cloth and immediate drying is recommended to prevent warping.
- Finish
Pine's even grain provides deep, uniform color for black and taupe finishes.
Why this is supported
The pine wood used in the frame has an open, even grain that takes stain uniformly.
Pine is easily stained, tinted, or patinated, allowing for diverse decorative effects.
stavrosdecor.comThis allows the black and taupe colorways to achieve full, consistent color without blotching, while still letting the natural wood character show under close inspection.
- Glazing
Acrylic glazing provides zero-light-absorption clarity but may reflect overhead light.
Why this is supported
The acrylic glazing delivers water-white, zero-absorption clarity, avoiding the green cast of glass.
Acrylic has crystal clarity, pure water-white edges and unmatched light transmission. The dull grey or green edges of glass cannot match the sparkle and elegance of acrylic. Unlike glass, colorless acrylic sheet has essentially zero absorption of visible light.
acrylite.coHowever, because it is standard clear acrylic without a non-glare coating, direct light can cause reflections that partially obscure the artwork.
The product listing describes the glazing as 'acrylic glass' but does not specify UV protection or a non-glare finish. It is likely standard clear acrylic without additional coatings.
Is the acrylic glass UV-protective or non-glare? This affects how well the framed artwork is preserved from sunlight and viewing comfort.- Readiness
Factory-finished and includes hanging hardware, ready to display out of the box.
Why this is supported
Unlike the IKEA HÄCKHAGTORN pine frame ($6.99) which ships unfinished and without mounting hardware, this frame arrives with an evenly applied factory finish and integrated hanging hardware, functioning as a complete decor piece immediately.
Choose to keep the natural look or paint them in a colour you like.
ikea.comand
Screws for wall mounting not included. IKEA recommends using ALFTA adhesive hook. Sold separately.
ikea.com
Image Analysis
3 images- 01

Product
A set of nested rectangular black picture frames shown flat at an angled top-down view; each frame has mitered corners, flat matte black outer faces and white interior fill or mat visible inside each frame.
- Nested frames layoutFour rectangular picture frames nested concentrically, each smaller frame placed inside the next larger one and aligned along the same center axis, creating a stepped concentric pattern.
1 region
x 0.04 · y 0.06 · w 0.92 · h 0.88 (high) - Frame profile and cornersFrames have narrow flat face profile with clearly visible mitered 45-degree corners where outer rails meet; corner joints are visible on each frame.
1 region
x 0.08 · y 0.05 · w 0.55 · h 0.43 (high) - Finish and surface textureFrame surfaces appear matte with even, non-reflective finish and smooth flat faces without visible grain or gloss.
1 region
x 0.05 · y 0.10 · w 0.70 · h 0.75 (medium) - Interior panels or matsEach frame encloses a white rectangular interior area resembling a mat or backing; the white areas are flat and slightly textured by soft shadowing.
1 region
x 0.28 · y 0.18 · w 0.50 · h 0.60 (high)
Other
Angled top-down product shot on a beige textured background with soft directional lighting producing mild shadows and slight depth; image is tightly cropped with the largest frame extending close to the lower-left and upper-right edges.
- Shot compositionProduct photographed from an oblique top-down angle, with frames rotated slightly so corners form a diagonal from lower-left toward upper-right of the image.
- Background surfaceBackground is a neutral beige textured surface with subtle mottling, visible around all sides of the frames.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Lighting and shadowsSoft directional lighting from upper-left produces gentle shadows along the lower-right edges of the frame rails and between nested frames, giving visible depth.
- Image croppingLargest frame is cropped by the image edges at lower-left and upper-right, indicating tight framing of the product.
2 regions
x 0.00 · y 0.60 · w 0.40 · h 0.40 (high); x 0.60 · y 0.00 · w 0.40 · h 0.40 (high)
Colors
matte black· frame face#14120Dbright white· interior mat/backing#F3EDE9none· nonePackaging- Nested frames layoutFour rectangular picture frames nested concentrically, each smaller frame placed inside the next larger one and aligned along the same center axis, creating a stepped concentric pattern.
- 02

Product
Multiple slim rectangular black picture frames with visible rectangular artwork inserts mounted on a light-colored wall. Frames have flat, squared edges and visible glazing reflecting light.
- Frame finishSlim black rectangular frames with a flat front face and squared outer corners visible around each artwork; surfaces show subtle specular highlights indicating a smooth finish and glazing over the art.
4 regions
x 0.04 · y 0.06 · w 0.52 · h 0.56 (high); x 0.58 · y 0.04 · w 0.36 · h 0.28 (high); x 0.56 · y 0.40 · w 0.20 · h 0.32 (high); x 0.76 · y 0.36 · w 0.12 · h 0.18 (high) - Frame profile detailFrames appear to have a narrow flat rabbet visible at the inner edge where the art meets the frame, creating a thin inner border between frame face and artwork.
1 region
x 0.06 · y 0.08 · w 0.48 · h 0.52 (medium)
Other
Lifestyle scene showing the framed artworks mounted on a light textured wall above a small beige cart with books and decorative objects; lamp and shadows create soft directional lighting from the left.
- ArrangementFour framed artworks arranged in a casual gallery grouping on a light-colored wall, with a larger vertical frame at left and three smaller frames to the right stacked at two heights.
1 region
x 0.02 · y 0.04 · w 0.96 · h 0.64 (high) - Supporting furnitureTwo-tier beige cart or small side table directly below the frames holding stacked books, a black cylindrical lamp with a thin curved stem, and multiple decorative vessels.
1 region
x 0.10 · y 0.60 · w 0.40 · h 0.36 (high) - Visible readable text on books“DAZED”
1 region
x 0.15 · y 0.64 · w 0.20 · h 0.05 (high) - Visible readable text on books 2“HELMUT NEWTON LEGACY”
1 region
x 0.15 · y 0.69 · w 0.32 · h 0.05 (high) - Lighting and shadowsSoft directional lighting from the left produces gentle diffuse shadows on the wall and subtle reflections on the framed glazing and decorative objects.
- Image compositionLifestyle interior crop showing partial doorway at right and left, with top-to-bottom view capturing wall art and furniture; image has neutral color balance.
Colors
black· frame exterior#15130Doff-white· inner mat / visible border#C4BCB4- Frame finishSlim black rectangular frames with a flat front face and squared outer corners visible around each artwork; surfaces show subtle specular highlights indicating a smooth finish and glazing over the art.
- 03

Product
Two framed canvases shown from the back: a larger rectangular frame leaning against the wall and a smaller square-ish frame leaning against the larger one. Visible features include light pine wood outer rails with mitered corners, white canvas backing, multiple black metal turning clips around the perimeter, and a centered metal hanging loop at the top of each frame.
- Overall compositionTwo framed canvases shown from the rear: a taller rectangular frame on the left and a smaller square frame placed in front and slightly to the right, both leaning against a vertical wall and resting on a flat surface.
1 region
x 0.02 · y 0.04 · w 0.96 · h 0.92 (high) - Outer frame material and finishNarrow wooden outer rails with a light pine/tan finish showing subtle grain and a slightly weathered matte appearance, assembled with mitered corners.
2 regions
x 0.03 · y 0.03 · w 0.64 · h 0.95 (high); x 0.33 · y 0.46 · w 0.64 · h 0.46 (high) - Canvas backingSmooth white canvas or backing panel visible inside the frame flats, covering the interior area with crisp straight edges meeting the inner frame rabbet.
1 region
x 0.09 · y 0.06 · w 0.86 · h 0.88 (high) - Turning clipsSmall black metal turning clips spaced along the inner perimeter of each frame holding the backing in place; visible as short rectangular tabs that pivot inward.
2 regions
x 0.06 · y 0.08 · w 0.30 · h 0.86 (high); x 0.48 · y 0.46 · w 0.48 · h 0.45 (high) - Hanging hardwareA small centered metal hanging loop or D-ring attached to the top outer rail of each frame, located at the midpoint of the top edge.
2 regions
x 0.41 · y 0.02 · w 0.08 · h 0.06 (medium); x 0.65 · y 0.40 · w 0.08 · h 0.05 (medium) - Mitered corners detailVisible miter joint at frame corners with a small seam where the wooden rails meet at 45-degree angles.
2 regions
x 0.03 · y 0.02 · w 0.09 · h 0.09 (high); x 0.88 · y 0.46 · w 0.09 · h 0.08 (high)
Other
Studio scene: frames leaning against a light textured wall and placed on a pale flat floor; soft directional lighting from the left produces mild shadows; image framed to show full rear faces of both frames with slight perspective.
- Background and surfaceSmooth light beige wall behind the frames and a slightly warmer pale floor surface under them, both free of additional props.
1 region
x 0.00 · y 0.00 · w 1.00 · h 1.00 (high) - Lighting and shadowsSoft, diffuse directional lighting from the left creates faint shadows along the right inner edges of the frames and a shadow cast on the wall behind the smaller frame.
1 region
x 0.30 · y 0.40 · w 0.40 · h 0.40 (medium) - Shot composition and perspectiveThree-quarter frontal view of the rear faces with slight tilt; larger frame shown at a slight angle so its top is closer to the viewer than its bottom, producing perspective foreshortening.
Colors
light pine· wood frame rails#AD937Bwhite· canvas backingblack· turning clips and hanging hardware#1A150D- Overall compositionTwo framed canvases shown from the rear: a taller rectangular frame on the left and a smaller square frame placed in front and slightly to the right, both leaning against a vertical wall and resting on a flat surface.